तस्यास्तीरे रचितशिखरः पेशलैरिन्द्रनीलैः

क्रीडाशैलः कनककदलीवेष्टनप्रेक्षनीयः ।

मद्गेहिन्याः प्रिय इति सखे चेतसा कातरेण

प्रेक्ष्योपान्तस्फुरिततडितं त्वां तमेव स्मरामि ॥ ७४ ॥

On the bank is a play-hill, the summit of which consists of charming Indranīla sapphires,
Surrounded by a fence of golden Kadalīs and is spectacular.
It was my wife’s favourite! O friend, when you appear with flashing thunder,
That is the very sight that my agitated mind remembers. (74)

その岸辺には、眩いインドラの青い宝石[インドラニーラ]が頂をなす
遊びの丘があり、それを囲う金のカダリーの美しさと言ったら！
わが妻の好んだものだと、ああ　友よ　心はかき乱されて
雷の明滅しきみを照らす光景に、私は思い出さずにはいられない（七四）

वामो वास्याः कररुहपदैर्मुच्यमानो मदीयैर्

मुक्ताजालं चिरपरिचितं त्याजितो दैवगत्या ।

संभोगन्ते मम समुचितो हस्तसंवाहनानां

यास्यत्यूरुः सरसकदलीस्तम्भगौरश्चलत्वम् ॥ ९३ ॥

Or her left thigh would shake like a milky finger of a fresh Kadalī;
Freed from the claw marks of my nails,
Forfeited the long-familiar pearl chain by the force of fate,
And it was accustomed to the massage by my hands at the end of pleasure. (93)

あるいは彼女の左の、私の爪あとから解放され
また長く親しんだ真珠の帯を、さだめの運びで放さしめられ
享楽の後の私の按摩に、慣れきっていた
瑞々しいカダリーの芯のような乳白色の　太腿が震えるだろう（九三）

त्वत्संपर्कात्पुलकितमिव प्रौढपुष्पैः कदम्बैः ।

यः पण्यस्त्रीरतिपरिमलोद्गारिभिर्नागराणाम्

उद्दामानि प्रथयति शिलावेश्मभिर्यौवनानि ॥ २५ ॥

You should stop by a mountain called Nīca for rest;
Coming in touch with you, Kadamba flowers bloom as if thrilled with joy.
There, the rock-abode is perfumed with the pleasure of prostitutes,
revealing the unstrained youth of urbane men. (25)

ニーチャと呼ばれる山で休むといい、疲れたろうから
カダンバが花開いて、山はきみと触れた喜びに震えているようだ
そこの洞窟には、遊女たちの歓喜の香が溢れ、
町の男たちの奔放な若さを露にするだろう（二五）

उत्पश्यामि द्रुतमपि सखे मत्प्रियार्थं यियासोः

कालक्षेपं ककुभसुरभौ पर्वते पर्वते ते ।

शुक्लापाङ्गैः सनयनजलैः स्वागतीकृत्य केकाः

प्रत्युद्यातः कथमपि भवान्गन्तुमाशु व्यवस्येत् ॥ २२ ॥

I foresee, O Friend, though quickly you wish to go for my dear one,
The sweet fragrance of Kakubha will steal your time at every mountain;
And the peacocks will welcome you crying, filling the white corners or their eyes with water.
Somehow you must compel yourself to move forward quickly. (22)

見えるよ　わが友　私のいとし人のために急ぐけれども
カクバのかぐわしさに、峰ごとに　きみはきっと時間をとられる
白目に涙浮かばせたくじゃくの声[ケーカー]に迎えられて
歓迎されたとしても、どのようにか先を急いで、行ってほしい（二二）

तन्वी श्यामा शिखरदशना पक्वबिम्बाधरोष्ठी

मध्ये क्षामा चकितहरिणीप्रेक्षणा निम्ननाभिः ।

श्रोणीभारादलसगमना स्तोकनम्रा स्तनाभ्यां

या तत्र स्याद्युवतिविषये सृष्टिराद्येव धातुः ॥ ७९ ॥

Her body is slender, her teeth are sharp, and her lips are like the ripe Bimba fruits;
She is thin in the middle, her eyes are that of a frightened deer, and her navel is deep;
Her gate is dull due to the heaviness of her hip, and she leans slightly because of her breasts:
The woman who would be there, is like the first of the woman-kind to be created by the Creator. (79)

細い身体　尖った歯に、唇は熟したビンバの実のよう
臍は深く、腰は細く、瞳は怯えた雌鹿のよう
尻の重さゆえ動きは力無く　乳房のために傾ぎぎみで
そこにいるだろう女は、若い女というものの、創造主の最初の作品のよう（七九）

छन्नोपान्तः परिणतफलद्योतिभिः काननाम्रैस्

त्वय्यारुधे शिखरमचलः स्निग्धवेणीसवर्णे ।

नूनं यस्यत्यमरमिथुनप्रेक्षणीयामवस्थां

मध्ये श्यामः स्तन इव भुवः शेषविस्तारपाण्डुः ॥ १८ ॥

The mountain’s surface is covered by the shining ripe fruits of the wild Āmras;
Your ascending on its immobile peak will resemble an oiled ringlet resting on it.
Truly a sight to bear witness by the immortal pair;
You dark in the middle like the nipple of the earth, amidst the pale spread of the rest. (18)

山腹は野生のアームラに覆われ　熟した果実がきらめき
きみがその動かずの頂上に降りたつのは、油すかした結い髪にも似て
その様は、不死の夫婦ですらため息をもらすだろう
白き裾野の中、真中のくすみは大地の乳首のようだ（一八）

रक्ताशोकश्चलकिसलयः केसरश्चात्र कान्तः

प्रत्यासन्नौ कुरबकवृतेर्माधवीमण्डपस्य ।

एकः सख्यास्तव सह मया वामपादाभिलाषी

काङ्क्षत्यन्यो वदनमदिरां दोहदच्छद्मनास्याः ॥ ७५ ॥

The red Aśoka tree’s fresh leaves are wavering and Kesara is lovely
Near the hedge of Kurabaka and the pavillion of Mādhavī.
The former longs for the left foot of your female friend my lover, just like me;
The latter desires her mouthful of wine, pretending it yearns to bloom. (75)

赤きアショーカは若葉を揺らし、ここで　ケーサラは愛らしく
クラバカの垣根　マーダヴィーのあずまやの傍で
一つはきみの女友だちの左足を、私とともに　切に望み
いま一つは彼女の口含んだ酒を　蕾もつものの望みにかこつけて欲するだろう（七五）